What am I working on now?
I was visiting this school, doing a workshop with kindergarteners and first graders. As each kid wandered into the room, I walked up and introduced myself. Ninety percent of the children didn't have any idea how to respond. Some would shake my hand and look down at my shoes. Some would look up at the ceiling or over their shoulder. One kid spit out his gum, stomped on it, and then grabbed my hand and wouldn't let go.
This experience struck me as funny, sweet, and a little disturbing. I thought, "I'll write a book about how to say HELLO!"
The book will be published next spring by Beach Lane Books/Simon & Schuster, and I'm just beginning the illustrations for it. Here's one of my favorite sketches. It shows how you might say HELLO to a cat.
Remember Hidden Pictures? Sharon Streger at Sequel Creative assigned 20 to me at the beginning of the year, and I'm just starting on #19. Sharon is the most organized person I've ever worked with––and when I feel organized, I feel happy. Here are some examples of my work for her. There are 12 objects hidden in each illustration.
And WOW! Everybody knows Cynthia Rylant, right? Allyn Johnston, my editor, is publishing a book of hers and I'm in the process of doing sketches for it. Here's the sample piece we sent to Cynthia for her approval.
I'm also working on 3 new stories:
1. THIS FISH HAS LEGS is about a fish with legs. The egg he hatches from was sabotaged for 375 million years and so he's a little late coming into the world. From the sewer grate he flops out onto the sidewalk and strolls straight into a coffee shop.
2. KACHUNK, a story about the clumsiest day of the year.
3. FWADDAPP! A 2nd grade poetry slam where things get so out of control that one little poet ends up in the emergency room.
Why do I write the things I do?
Multiple choice:
B. Because the stakes are high for the nation's children and the Common Core State Standards could be the turning point for education reform in the United States.
C. Because it's fun.
The answer is C. See the photo below? I'm lucky to have landed among a group of people who ooze the qualities I'm after in my stories: a mean wit infused with a big splash of tenderness.
What is my creative process?
I keep a notebook and pen beside me in bed. During the night, I scribble down great ideas. Here's one from last night. See what I mean? Brilliant!
I write for a little while when I first wake up. Before breakfast, before reading my email, before reading the newspaper, before work. Before coffee even.
P.S.
Full disclosure: I love what I do, and I'm terrified. I worry about my work being disappointing, I'm mortified of misinterpreting others, I worry about paying bills. My projects abound with uncertainty and false starts.
Here's a quote I keep by my desk that makes me feel less alone: The ability to begin, and then sustain, any kind of creative work means being able to tolerate ambiguity and uncertainty. Confusion and questioning are part of the creative process for all writers.
–Kim Addonizio
Tomie dePaola nailed it last week when Lin Oliver asked him what advice he had for writers and illustrators. He said, "Be brave," and mentioned a book by Rollo May called THE COURAGE TO CREATE. It took me all of 12 seconds to download that book.
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Keika graduated from the Art Center College of Design in Pasadena and is a former Walt Disney Imagineering intern. Other books she's illustrated: Sick of Being Sick written by Justin Sullivan, the big golden book for Wreck it Ralph, and The Tale of the Gingerbread Man.
Here's Keika's blog. Keep your eyes peeled for her creative process post, coming soon!